ftypavifavifmif1miafumeta!hdlrpictpitmFilocD@  7 ;biinfinfeav01infeExif*infemimeapplication/rdf+xmljiprpKipcocolrnclx av1C ispeF<pixiipma(irefcdsccdscmdat b2`bd@䰑wx嚭s w66 f/4s;af+-*>MzxנB~%Uݰ- l8 2~Ņ賬CN=vH=..j&> 69MyJ2h~[u[t ƍC8#%eZ{6\S$HLC-73:+mssK x_ nq$ڷHڦw`4'U |3j2-KD-X}?V\.$پt%1tC߰qCSC@hNHD_ED<)r?1S3;)Z>5y;Qp,h[΋Ԫ*1 & Ye r.d8U51aS22時韽QUlx.z08ߟV1еdenx+s=BluHteɆfek4:Pys x4EyCBFzU[}>HLK}Wq&Q~E?{ d>ipx 2䬮`\Ov% CVaw^H{d"+}%鲲B|Q1H fBrTL$錡2"&d'5=7ͩ%Mm%TsH7v1t7" oOϋ-a4]e<"F`- qilƉ%& [|X:n 9 ԟi ĸ$拽LV7u¶wZ%bꅇ|nۚrZXNBDC qa\LH^]}٣ ޏ@\6"V~pLӵQ`nI֎o8PrbZn)@W93ڤD+4]IU.\ M+zB 9sNzk| b0 UUfhҽnIf#&TFlQ7.ɇH0VuMe 8miJ%j'eo͋a2)Oy;Yf'JH~0V_%}]U̡5j(՞mĹ[jlX]@ZA|,wրW#p7 ӷ|+@_Ih%| I4GtwrI'=;_!nc]qCDVA&|~ a՘:(g9X1ucIOo¡m$Sͽ?8G=RDH_9P-8@2yMI\s!&_dާ`w:ڶ:o=vkOGK[;SLOsO1WN?q 0"U;يb:[xpE@q H~ cs)Ὓ;R8tT0z* Q%|[]3+Ѿys~~ذ-uLxY^SC:B205P6d l%J1S=EG(I6ګzWg8/fOB>o^J6"<qGl-zndwF E.Lm)I^)YV/3+:GE9}ROHNg$'!C ߯U݆*R0EX0ڻ ^|J ꡐ±)jخsό v]1v G'k\( 4A'pjsG\q --()Lm'6:c^.? ʺ":Z>Go+uOavxrEѶsmGmQ "˙D5Y6 x]yYi Ow;f'szhm f睕:7'YZ2HdL:fCiI˖[lgWPq>[#@ExifII*V^(if``02100100 2025-06-27 df3dcc0d-386c-40c5-82e0-6842cb79b90d 525265914179580 2 From Tollywood to Hollywood: Why Bollywood Loves Remakes - 1 Manoj Sharma Canva doc=DAGpNPCIPH8 user=UAFOzCZUk64 brand=BAFOzGAEBP0 template=